I took the handmade pledge....

Did you??



Nothing makes a better gift than a handmade, one of a kind indie design!! I have way too many people who are so hard to shop for this holiday season....so I plan on shopping indie for all of those unique items that are sure to please.

Also, as a side note....please check out my new Ruby Lane Shop: http://www.rubylane.com/shops/glasshousejewelry

What is hot, what is not....colors for the fall....

Well, it has been a while since I have blogged. It is just so hard to find time during the summer. I just don't want to be indoors if possible. But, fall is just around the corner and as always the fashion industry is thinking ahead.

It looks like brown is going to be the staple this year. The "new" black, so to speak. But, when I want to know for sure, I always defer to the expert: Pantone. Pantone is is the world-renowned authority on color, so what they say goes.

So, here is what they are saying (taken directly from Pantone's Color Report for 2007):

Complex and exotic describe the intriguingly unusual and inviting color palette for fall ‘07. The traditional neutral shades expected for autumn have been replaced this season with rich, nuanced hues, offering more opportunity for creativity with interesting and unexpected color combinations.

Spicy Chili Pepper and exotic Lemon Curry stimulate the taste buds, entice the senses and enliven any wardrobe. Purple Wine, the ultimate expression of creativity, marries purple and wine, broadening the appeal of purple for fashion. The violet undertones of Dusk give gray a whole new dimension, making this fall’s neutral much more desirable. Carafe, a deep, espresso brown, adds contrast to the palette, providing a rich alternative to the usual black or charcoal.
Sumptuous Cashmere Rose is not only the perfect complement to any of fall’s colors, but also flatters any complexion. Many seasons have paid homage to nature, and fall ‘07 is no exception. Shale Green takes the shade in a murky, blue/gray direction, while foliage-inspired Green Moss goes to the yellow side. Earthy Burnt Ochre is this autumn’s orange and sophisticated Stargazer continues the trend of turquoise, but with a deeper intensity.

“Designers find inspiration in a variety of places, but one thing they all have in common this season is a rich, complex color palette to stimulate creativity,” said Leatrice Eiseman, executive director of the Pantone Color Institute®. “Nuanced colors with subtle undertones enhance the ever-present neutrals and allow for clever and extraordinary color combinations. Pairing designer pieces with mainstream staples has become a way of life, and color adds an important dimension for expressing one’s unique sense of style.”

www.glasshousejewelry.com has finally been launched!

Well, I finally did it... I have my own website (besides the various sites I sell on: Etsy.com, Lovli, Mintd, etc). www.glasshousejewelry.com has been born! It is still very much a work in progress. But now at least I have a central location where I can organize my business.

Feel free to contact me with any questions, special orders/requests, and of course, wholesale orders.

I have been featured in an Indie Blog!

http://indieprettyperfect.blogspot.com/2007/05/glass-house-jewelry.html

What is Dichroic Glass?

I am often asked "Do you use any paint on your pieces?". The answer is "no, although I would like to try that technique as well. Many of my pieces are made with dichroic glass, a type of glass that has grown in popularity dramatically." Here is a brief overview of what dichroic glass is and how it is made....

The word "dichroic" is derived from two Greek roots, "di" for two and "chroma" for color. So "dichroic" literally means "two-colored", especially when viewed from different angles or from transmitted to reflected light. This bi-colored effect is produced by a process called "thin film physics". Thin-film physics also explains rainbows in soap bubbles, the swirling colors in a thin layer of oil floating on water, and the vibrant iridescent reflections on a dragonfly's wings. To make dichroic glass, metallic oxides (such as titanium, silicon, and magnesium) are heated in a vacuum chamber to very high temperatures, using a high-voltage electron beam, until they are vaporized and deposited onto the surface of glass. The thickness of the oxide on the glass is determined by time and temperature.

Dichroic glass is a high-tech spin-off of the space industry. It was developed for the laser industry but it has become one of the most popular materials used by glass artists today. The brilliance of dichroic glass in natural light or sunlight is truly amazing. Pictures just do not do justice to the depth and play of color. There are many challenges involved in using dichroic glass to make art glass jewelry, not to mention cost. Once a raw sheet of dichroic glass is fused, its characteristics will change yet again with the new colors shifting towards the blue end of the spectrum. That is why I am often waiting impatiently for my kiln to cool properly so that I may see how my pieces turned out. It is all too tempting to open the kiln door too early to take a peak!!

April showers bring May flowers...

I just adore working with Italian Millefiori. The end result can be so fresh and feminine...not to mention that it is just perfect for spring.

Did you ever wonder about the history of Millefiori? Well here is what I found on Wikipedia....

Millefiori is a glasswork technique which produces distinctive decorative patterns on glassware.
The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers). A. Pellatt (in his book "Curiosities of Glass Making") was the first to use the term "millefiori", which did not appear in the Oxford Dictionary until 1849. The beads were called mosaic beads before that time. While the use of this technique long precedes the term millefiori, it is now frequently associated with Venetian glassware.

More recently, the millefiori technique has been applied to polymer clays and other materials. Because polymer clay is quite pliable and does not need to be heated and reheated in order to fuse it, it is much easier to produce millefiori patterns than with glass.

History of Millefiori

The making of Millefiori beads involves two glass making techniques. Until the 15th century, Murano glassmakers were only producing drawn Rosetta beads made from mould-made Rosetta canes. Rosetta beads are made by the layering of a variable number of layers of glass of various colors in a mould, and by pulling the soft glass from both ends until the cane has reached the desired thickness. It is then cut into short segments for further processing. The murrine used for decorative purposes were manufactured by applying the same technique, and sold to the lamp workers who made Millefiori beads by weight.

Creating Millefiori

The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. Millefiori beads are made of plain wound glass bead cores. Thin slices of cut cane (murrine) are being pressed into the bead surface, forming mosaic-like patterns, while the glass is still hot. Millefiori beads can be decorated sparingly with a small number of murrine or they can be covered entirely, either by the same style of murrine, or by a combination of two or more styles, applied to form a flush, smooth surface, or left protruding from the bead. The manufacture of mosaic beads can be traced back to Ancient Rome, Phoenician and Alexandrine times. Although the Millefiori technique was developed in Murano, Italy in the 15th century, the heyday of Millefiori bead manufacture ranged from the late 1800s to the early 1900s.

The Millefiori technique is a labour intensive process. Each Millefiori item is individually and painstakingly handmade.

Not all glass is created equally...

Examples above are of an art glass pendant, a dichroic pendant, and a millefiore pendant.


Glass fusing has become quite popular. But as a buyer of glass jewelry it is imperative that you buy your glass pieces from an experienced glass artist. Improperly fused glass can crack and break apart on you for no apparent reason. It is important to know how to combine the glass properly since you cannot mix different co-efficient glasses. I work with various types of glasses that have co-efficients of 90, 96, and 104. In addition, it is important that the glass is properly annealed for strength and durability. Annealing is the process by which the glass cools and contracts. It must be done at a certain speed and rate of temperature. Often I will set my kiln to hold certain temperatures for periods of time to ensure the proper annealing. I have also heard many stories about pieces being improperly adhered to bails. I only use a special 2 part epoxy for glass and metal which is carefully cured. I also score up the surfaces so that they adhere better. Curing takes time and it must be done properly. So, the moral is...don't be fooled by cheap imitations...they aren't worth it in the long run.